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In the EDitor, Ed Ronald submits two fractional portraits of his perfect life with his perfect wife, Maggie. The accounts are somewhat slight and, by virtue of their happy-go-lucky tone, not particularly exciting; the closest thing to pathos is some cultural insensitivity in Mexico (on the part of the narrator). The average- joe subject matter is not enlivened by sparkling prose or extraordinary insight. (Daniel Marrone)

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