Book Review

Review: Birds of Maine

The setting gives DeForge plenty to work with: the mechanics of a fungus-based internet; samplings of new lunar artforms; interplanetary and intercellular voyages. And of course, there are the birds themselves, in all their grand and ridiculous plumage.

Review: New Infinity

In Bára Hladík’s cross-genre debut, the reader is invited to witness the physical and philosophical implications of the autoimmune disease of a nameless woman, specifically ankylosing spondylitis.

Review: Take The Long Way Home

Jon Claytor’s main conceit is to bleed his unfiltered self onto the page. He bounces between dark suicidal thoughts and folksy vignettes about cute critters he sees on the road, but the flow feels natural.

Review: Queer Little Nightmares

Queer Little Nightmares accomplishes what mainstream media has historically feared: placing queerness at the forefront to tell human stories of creatures that seek love, vengeance, autonomy, and the reclamation of their ugliest parts.

Review: A Kid Called Chatter

Westerns are populated with larger-than-life characters, but children are notoriously difficult to write convincingly. Kelly’s Chatter and his orphan companions are adult minds in small bodies, making grave enigmatic statements while stone-facedly witnessing the world’s cruelty.

Review: The Second Substance

While it’s poetic enough and creates a lush mood of grimy eroticism, leveraging Lardeux’s talent for capturing sensory detail, The Second Substance’s experimentalism wrestles with the musk of the overly familiar.

Review: The Employees

In space, no one can hear you complain to HR. Olga Ravn’s The Employees is a sci-fi parable about what happens when you can never leave the office.

Review: No Shelter

Henry Doyle’s No Shelter is a plainspoken and authentic record of the grinding and unacknowledged quotidian battle with day labour, despair and displacement.

Review: Weeding

Geneviève Lebleu explores tense interpersonal relationships between several middle-aged women in a suburban neighborhood through the psychedelic imagery that so defines her lush illustration style.

Review: Remnants

Céline Huyghebaert’s latest work, translated by Aleshia Jensen, explores the gap left by the death of her father. A melange of form informs the process of understanding the author and her father.

Review: The Closer

You don’t have to be inside baseball to appreciate Jason Smith’s The Closer, a noir potboiler knocking dingers into the highly detailed background.

Review: Shelterbelts

Shelterbelts is an understated but forceful debut — a modern prairie drama with its own distinct visual language and memorable cast of characters, an impressive work that leaves one wanting more in the best way possible.