Associated with the absurdist movement of “weird twitter,” mostly against his own will, Dril has built a massive following by producing pithy aphorisms and hypothetical situations, eschewing the observations and banal life updates that characterized a lot of early Twitter.
Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Hannah Epstein, whose rug-hooking manifests the madness of the digital world into fiber.
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