Art Holes: Kreal’s Cartoon-Zone
“It’s been strange taking inventory of all this, I feel like a spoiled brat. And worse yet, an embarrassed spoiled brat.” From gas stations to animation, Kreal shows us where the magic is made.
Give the Gift of Zines With the Broken Pencil Holiday Sale!
I'm afraid to say it, but, 'tis the season. Save 35% off our print and digital subscriptions AND nab a Broken Pencil-themed colouring book!
Introducing Our 100th Issue: Generations
For the 100th issue of Broken Pencil, we felt it appropriate to celebrate the use of zines as expression passed down through the ages, starring the Singapore-based family art collective behind Rubbish FAMzine.
Overtime and Improv Classes: Aisha Franz on Work-Life Balance and Berlin’s Tech Culture Clash
Berlin is now home to more than 600 startups, modeling themselves after successful American businesses, many tried to import American workplace culture. Cartoonist Aisha Franz' latest book is a satire of the calamity that ensued.
Journeys, on Paper: Jeeyon Shim and the Personal Resonance of Tabletop RPGs
“You can’t force the grain. If you can’t work with your own currents, you’re just fighting yourself.” Amid illness, foraging and introspection, Shim has become one of the most prolific creators in an indie tabletop gaming boom.
Art Holes: Boss Nass KFC Drink Topper
Cartoonist Alexander Laird gives us a tour of his goblin den, laying in wait for the right opportunity to watch Kevin Costner's Waterworld.
Call for Submissions: HOCUS OVER THE THRESHOLD
Submissions In honour of the solstice, the theme is OVER THE THRESHOLD. Send your stories and poems of planetary […]
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Introducing Our Summer Issue: Fun & Games
Hark! Adventurers! Join us in this magical, magazine quest as Broken Pencil guides you through the weird and wonderful realm of indie tabletop roleplaying games!
Walking Tall: Boots Riley on the Utility of Absurd Art
“What I want to do is use this exaggeration to point out contradictions and to point out ironies and skip over large swaths of theory and just smack it in your face. That’s the usefulness to me.” The activist, musician and director tells us how to speak to a world that’s gotten strange.
A Beginner’s Guide To The Broken Pencil Zine Awards
To settle all of your Broken Pencil Zine Awards questions, big and small, please refer to this handy-dandy Q&A right here.
NOW What: Is There a Future for the Alt-Weekly?
The loss of local voices goes beyond arts scenes and progressive op-eds as trusted legacy publications become propaganda for your city’s worst actors.
Submissions for the 2023 Broken Pencil Zine Awards are now OPEN!
Celebrating zine excellence since 2017, it’s the sixth annual Broken Pencil Zine Awards! You have between now and September 15th, 2023 to enter!
Folio: Olivia Mae Sinclair on Text, Textiles and The Neverending Story
Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Olivia Mae Sinclair, a textile artist binding books and zines with frayed fabrics, exploring a textured meaning of the text within.
Be Glad for SAD: Zine Fest Puts Accessibility Up Front
One of the biggest appeals of zines and their scenes is the low barrier of access. What good is self-publishing if it is too prohibitive for most people to participate?
Power to the Profiles: The Indie Sellers Guild and Protecting the Interests of Online Artisans
Etsy emerged as an opportunity to capture the feeling of zine and art fairs online, selling a diverse catalogue of pieces from a universe of uncanny creators. But a zine fair and a multimillion dollar enterprise are rarely the same entity.
TOOLKIT: How To Make Your Own Tarot Cards
While tarot may be best known today as a future-telling tool, it is much more than that. Meditation, personal growth and beyond. Follow your ideas to truly make your deck your own. Allow each card to become part of your own personal system of self-discovery.
Art Holes: Boo!
Horror artist Trevor Henderson gives us a peek at the nightmare factory.
Toronto Zine Library Reopens
“To me the space is important as an example of creativity, community and solidarity coming together without commercial expectations.”