Features

“People will beg for AI-free content like they do for water that isn’t tainted with lead. And when AI becomes synonymous with ‘Shit,’ it will die like every other Silicon Valley Clown Show and nobody will miss it.”

I admire Matt Farley and what he represents. I predict that he will one day be recognized as one of the emblematic creatives of his era. For this reason, I travelled to Peabody, Massachusetts for the Motern Extravaganza, an annual concert and fan event Farley holds in his own honour.

On printing day of the famed Thunder Bay feminist publication, one woman would type on an electric typewriter while volunteers spread the issue’s pages on the counters and stools of what was formerly a Finnish restaurant — still smelling of the fryer oil.

Their award-winning zine may have begun as a lighthearted family activity, but parents Pann and Claire Lim’s are attempting to present Rubbish Famzine as something more enduring to their children: an heirloom.

Strange and lurid. Enlightening and electrifying. It only becomes truer the further down you go. The Pigskin Peter Award celebrates the best comics underground.

Despite only recently encountering Earth and its cultures, the medium of comics hasn’t been lost on the “Arch-Duke of Nightmares.” We speak with Psycho Goreman’s caretakers about his new graphic adventures.

How Michael Novick and his street action political zine Turning the Tide evolved to put radical media in the hands of the people.

Like the oscillations on an energy dome, the de-evolution doctrine of some geeky Akron, Ohio punkers has echoed for generations, inspiring underground art scenes for most of a century. This is the story of art and Devo.

“There were definitely times where I thought, ‘I could really use a conversation with someone who’s just seen it all.’” Texas is the Reason’s Norman Brannon discusses his reasons for reviving his ’90s hardcore zine.

Berlin is now home to more than 600 startups, modeling themselves after successful American businesses, many tried to import American workplace culture. Cartoonist Aisha Franz’ latest book is a satire of the calamity that ensued.