Review: Atticus
This full-colour, richly collaged mini-zine is a touching tribute to a real-life friend, Atticus, and a rendering as fable of Atticus’s coming out and transitional journey.
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This full-colour, richly collaged mini-zine is a touching tribute to a real-life friend, Atticus, and a rendering as fable of Atticus’s coming out and transitional journey.
Despite a few odd omissions, this is a crisply presented fanzine and final exhumation of the exhausting early-aughts archetype.
Prolific Australian zinester Kate Dunn writes a frank but sentimental mini-memoir of her call centre work. Drawing on several years experience of frontline phone wrangling, caught between customers, bosses, and a year of middle management.
Run Wolf Run is a well done comic-and printed in nice risograph package to boot, but does that make it worth howling over?
Toronto photographer Mar Wan captures the damper that the COVID Era threw on city life and subculture. Street preachers, doom prophets, the masked and unmasked. All in a city where the sun is out but no one’s sure if it’s safe to play.
With its glut of glittery, girly stickers, fire photography, takedowns of Pretty Women and useful relationship advice, Literal Bimbos, a litzine created by sex workers, is a work of art.
Reading these poems feels like running laps in the author’s head. The external world has fallen away and we’re along for a destructive ride through the stages of breakup.
Writer, illustrator and designer Marie Blanchet collects 31 spooky, surreal stories set in haunted, uncanny, but somehow still commonplace offices. Snippets of bizarre larger worlds, where the weird and unearthly are taken for granted as everyday realities.
Yawn Temisev’s comic collection left me more with a feeling of intrigue than it did any truly spurring positive or negative reaction. Maybe that’s a good quality in and of itself.
They prevent cars from bumping into garages and pipes. Temporary Services explains that these protective objects are necessary given the alley’s value as a low-key modern day agora.
Readers might expect to encounter more about the Walkman itself and all the great cassettes she devoured back in those days. Aside from a surprisingly accurate drawing of Tina Turner’s Private Dancer, the zine morphs into a story about memory, sound, and even grief.
Ryan Downum’s chapbook is a weird and wonderful treatise. It resists full comprehension and manages to do so with both elegance and gruesomeness.