Eleanor Lindsay

With sharpness and ephemerality that could only have been harnessed via cliquey 13-year-olds, Dizz Tate writes a class-act debut about the divine knowledge of girlhood, the claustrophobia of adolescence, secrecy and the curious need we have to observe and be observed.

Told in fragmented, rapidly oscillating points of view, Refugia muses on the insufficiencies of language in the face of a vast and unexplainable island.