Review: Gina and Joe Talk About Queer Horror
Monster and Hero, you can be both! Gina and Joe’s delight in ‘80s horror movies is infectious and their perspective is uncommon.
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Monster and Hero, you can be both! Gina and Joe’s delight in ‘80s horror movies is infectious and their perspective is uncommon.
Despite a few odd omissions, this is a crisply presented fanzine and final exhumation of the exhausting early-aughts archetype.
With its glut of glittery, girly stickers, fire photography, takedowns of Pretty Women and useful relationship advice, Literal Bimbos, a litzine created by sex workers, is a work of art.
They prevent cars from bumping into garages and pipes. Temporary Services explains that these protective objects are necessary given the alley’s value as a low-key modern day agora.
K.G. Wehri drums up fear largely in service of amplifying the sexual tension. None of it is gory but at some point, the fangs do come out. These stories yield themes of loneliness, hope, staying the course and the flexibility of time.
Paul Cooke’s fanzine makes you ask yourself: Did the houseplant witness the horror? Do its descriptive factors foretell the torture in the final act? Or am I creating sinister campfire stories in my own mind?
Kris Rose paints a picture of how renting Texas Chainsaw Massacre and Waxwork brought feminism to their suburban sanctuary.