Folio

Folio: Hannah Epstein on Rug Hooking and Art Churches

Broken Pencil

Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Hannah Epstein, whose rug-hooking manifests the madness of the digital world into fiber.

Folio: Lonesome Bill Walker on Puppetry and Pee-wee

Broken Pencil

Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Lonesome Bill Walker, whose woodwork and puppetry explore queerness and its rich strings throughout pop culture.

Folio: Catalina Cheng on Ceramics and Preservation of Queer Art History

Broken Pencil

Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Catalina Cheng, whose work in ceramics bridges familiar traditions, radiant pride and honouring the queer artists erased by history.

Folio: Olivia Mae Sinclair on Text, Textiles and The Neverending Story

Zack Kotzer

Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Olivia Mae Sinclair, a textile artist binding books and zines with frayed fabrics, exploring a textured meaning of the text within.

Folio: Bridget Moser on the Uncanny and that Skeleton with Hair

Broken Pencil

Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Bridget Moser about the uncanny, the unsettling, ‘cursed images’ and a hair covered skeleton of her creation that got under people’s skin.

Folio: Joy Gough and Community Fridge Art

Broken Pencil

Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue, Joy Gough, one of the five organizers at Community Fridges TOronto tells us how how art can divert attention to dire local issues.