Who is the REAL Psycho Goreman?
Despite only recently encountering Earth and its cultures, the medium of comics hasn’t been lost on the “Arch-Duke of Nightmares.” We speak with Psycho Goreman’s caretakers about his new graphic adventures.
Over 15,000 Zine Reviews & Growing!
Despite only recently encountering Earth and its cultures, the medium of comics hasn’t been lost on the “Arch-Duke of Nightmares.” We speak with Psycho Goreman’s caretakers about his new graphic adventures.
In Siah Files’ estimation, every bodega should have one of those cats who you pet while pretending to look for snacks. Preferably resting on top of a crate of Monster Energy.
Amanda Berlind’s sensibilities come through in her illustrations, which seem to pulse on the page and vibrate to a sonic frequency not normally visible to humans.
J. E. Stintzi’s emulates our distracted and desensitized present with a distant narrative voice, a rash of characters and 232 micro-chapters that rapidly switch between storylines.
A prolonged essay on ultra-niche punk lore and the history of a Huntington, California spot that hosted the likes of Black Flag, The Jesus and Mary Chain, The Minutemen, The Meat Puppets and more.
For every successful foray into Hollywood there’s 100 cash-strapped nightmares making use of ingenuity and offal. The rogue visionaries with a passion for film so strong that no empty pocket could ever prevent them from sharing their goopy artistry.
Jon Claytor’s main conceit is to bleed his unfiltered self onto the page. He bounces between dark suicidal thoughts and folksy vignettes about cute critters he sees on the road, but the flow feels natural.
While tarot may be best known today as a future-telling tool, it is much more than that. Meditation, personal growth and beyond. Follow your ideas to truly make your deck your own. Allow each card to become part of your own personal system of self-discovery.
Horror artist Trevor Henderson gives us a peek at the nightmare factory.
While it’s poetic enough and creates a lush mood of grimy eroticism, leveraging Lardeux’s talent for capturing sensory detail, The Second Substance’s experimentalism wrestles with the musk of the overly familiar.
Austin MacDonald’s colour choices give the pages of Squire’s Reunion a sense of foreboding. Houghton’s writing complements this. To make a recent reference for fans of swords, it’s as though the petite protagonist of Ranking of Kings popped up in Elden Ring.
In space, no one can hear you complain to HR. Olga Ravn’s The Employees is a sci-fi parable about what happens when you can never leave the office.