Issue 98

Politics is for the Nuts

In 1974, Vancouver artist Vincent Trasov ran for mayor of Vancouver. Or, at least, Vincent Trasov dressed as Mr. Peanut ran for mayor of Vancouver. Nearly 50 years later, documentary filmmaker Andrew Muir brought the performance piece back into the spotlight with Peanut For Mayor.

Review: Blind Alley: The First Year

Visually distinct with a whimsical, costume-ish quality to character designs, there’s a comfortable tone of strangeness throughout Blind Alley that would feel at home in EarthBound or Twin Peaks.

Review: Solastalgia

Toronto photographer Mar Wan captures the damper that the COVID Era threw on city life and subculture. Street preachers, doom prophets, the masked and unmasked. All in a city where the sun is out but no one’s sure if it’s safe to play.

Review: Plumstuff

Rolli’s poetic voice is often likened to e.e. cummings’ light verse, chiefly in how he toys with syntax and nonsense. But there’s a keen sardonic edge, too — think of Shel Silverstein and Hilaire Belloc.

Art Holes: Kreal’s Cartoon-Zone

“It’s been strange taking inventory of all this, I feel like a spoiled brat. And worse yet, an embarrassed spoiled brat.” From gas stations to animation, Kreal shows us where the magic is made.

Review: Birds of Maine

The setting gives DeForge plenty to work with: the mechanics of a fungus-based internet; samplings of new lunar artforms; interplanetary and intercellular voyages. And of course, there are the birds themselves, in all their grand and ridiculous plumage.

Review: New Infinity

In Bára Hladík’s cross-genre debut, the reader is invited to witness the physical and philosophical implications of the autoimmune disease of a nameless woman, specifically ankylosing spondylitis.

Review: The Printer Whisperer

Writer, illustrator and designer Marie Blanchet collects 31 spooky, surreal stories set in haunted, uncanny, but somehow still commonplace offices. Snippets of bizarre larger worlds, where the weird and unearthly are taken for granted as everyday realities.

Folio: Olivia Mae Sinclair on Text, Textiles and The Neverending Story

Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Olivia Mae Sinclair, a textile artist binding books and zines with frayed fabrics, exploring a textured meaning of the text within.

Review: Flummoxtown

Yawn Temisev’s comic collection left me more with a feeling of intrigue than it did any truly spurring positive or negative reaction. Maybe that’s a good quality in and of itself.

Review: Car-Stoppers

They prevent cars from bumping into garages and pipes. Temporary Services explains that these protective objects are necessary given the alley’s value as a low-key modern day agora.