Over 15,000 Zine Reviews & Growing!
Readers might expect to encounter more about the Walkman itself and all the great cassettes she devoured back in those days. Aside from a surprisingly accurate drawing of Tina Turner’s Private Dancer, the zine morphs into a story about memory, sound, and even grief.
Queer Little Nightmares accomplishes what mainstream media has historically feared: placing queerness at the forefront to tell human stories of creatures that seek love, vengeance, autonomy, and the reclamation of their ugliest parts.
Ryan Downum’s chapbook is a weird and wonderful treatise. It resists full comprehension and manages to do so with both elegance and gruesomeness.
Westerns are populated with larger-than-life characters, but children are notoriously difficult to write convincingly. Kelly’s Chatter and his orphan companions are adult minds in small bodies, making grave enigmatic statements while stone-facedly witnessing the world’s cruelty.
Filmmaker Vera Drew wanted to reclaim the clown prince of crime with The People’s Joker. Now she has to fight the real supervillains to bring her Joker to the people.
As someone who looked up to female punk music icons and also struggled with her own Catholic faith, I felt like Love and Rockets was attuned to me and my sensibilities.
New anthology from Hal Kelly memorializes the obscure, taboo, filthy trash zines that were once abundant throughout the ‘80s and ‘90s.
Beginning with risographed books and fanzines made internally, PEOW would go on to publish a vast assortment of contemporary, international cartoonists, such as Thu Tran, Jane Mai, Linnea Sterte and Ville Kallio.
Vera Drew has gone through many transformations in her life, no vat of acid required. The filmmaker fought to create The People’s Joker and continues to fight to bring the people their Joker.