Art Holes: Boss Nass KFC Drink Topper
Cartoonist Alexander Laird gives us a tour of his goblin den, laying in wait for the right opportunity to watch Kevin Costner’s Waterworld.
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Cartoonist Alexander Laird gives us a tour of his goblin den, laying in wait for the right opportunity to watch Kevin Costner’s Waterworld.
With sharpness and ephemerality that could only have been harnessed via cliquey 13-year-olds, Dizz Tate writes a class-act debut about the divine knowledge of girlhood, the claustrophobia of adolescence, secrecy and the curious need we have to observe and be observed.
Mario 69 is part of multidisciplinary artist Jon Clark, a series of faux home media covers that each express ‘cursed’ feelings in their own way. Here, a ‘lost’ Super Mario game through lay-outs of the various enemies, characters and girlfriends.
Great poems move different people in different ways. Nobel-poet Wisława Szymborska’s pieces trace a reliable arc from simple seeds, through surprise development, and land in the subtle neighbourhood of the sublime.
Nicholas Teixeira is like a hyper Max Headroom, be-bopping his way through an explosion of pop culture and its intersection with the self.
“As I’ve gotten older, I’ve also realized that I’ll never have time to create all the projects that bubble up in me, so they often come alive in my fiction.”
Told in fragmented, rapidly oscillating points of view, Refugia muses on the insufficiencies of language in the face of a vast and unexplainable island.
As contentious book bans spread throughout America, Kim Hyun Sook’s book about her experience with book bans ended up in Clay County’s crosshairs.
In a series of stories mostly set in modern-day South Korea, Bora Chung writes of heads coming up out of toilets, robots that fall in love and unexpected pregnancies. Her stories read like parables, where decisions made for business’s sake have long and supernatural repercussions.
This full-colour, richly collaged mini-zine is a touching tribute to a real-life friend, Atticus, and a rendering as fable of Atticus’s coming out and transitional journey.
Contagious Imagination contains a collection of rigorously researched essays and artistic texts that reify Lynda Barry’s teachings. Like Barry’s own idiosyncratic work, it touches on memory, relationships and the everyday.
Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Catalina Cheng, whose work in ceramics bridges familiar traditions, radiant pride and honouring the queer artists erased by history.