Art Holes: Boo!
Horror artist Trevor Henderson gives us a peek at the nightmare factory.
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Horror artist Trevor Henderson gives us a peek at the nightmare factory.
Boots Riley tells us about the absurd and how it functions as a satirical language that can speak far more eloquently when the world is on fire. All that and more in our latest issue!
Readers might expect to encounter more about the Walkman itself and all the great cassettes she devoured back in those days. Aside from a surprisingly accurate drawing of Tina Turner’s Private Dancer, the zine morphs into a story about memory, sound, and even grief.
“To me the space is important as an example of creativity, community and solidarity coming together without commercial expectations.”
Filmmaker Vera Drew wanted to reclaim the clown prince of crime with The People’s Joker. Now she has to fight the real supervillains to bring her Joker to the people.
Submissions In honour of the solstice, the theme is OVER THE THRESHOLD. Send your stories and poems of planetary […]
View all Calls for SubmissionsHorror artist Trevor Henderson gives us a peek at the nightmare factory.
Here’s all you need to know about the biggest zine fest this side of the world wide web!
Broken Pencil and Online Canzine in association with The Laser Blast Film Society and Gold Ninja Video present a special online double bill on May 5th!
As someone who looked up to female punk music icons and also struggled with her own Catholic faith, I felt like Love and Rockets was attuned to me and my sensibilities.
A twist of bone. A tease of flesh. Cannibals and testicles. We sat down with the Manhunt author about survival and sinew. “It’s an unfortunate way to get publicity, but if they’re giving it to me, I’ll take it. And I’ll use it to do all the things they’re so afraid I’ll do.”
The fourth floor of the Dahdaleh building has seen it all: lengthy crits, overnighters, lots of laughs and even more test prints. As they gear up to venture off into their post-graduate life, they want to welcome you into this space that they have called home for the past 4 years.
New anthology from Hal Kelly memorializes the obscure, taboo, filthy trash zines that were once abundant throughout the ‘80s and ‘90s.
For every successful foray into Hollywood there’s 100 cash-strapped nightmares making use of ingenuity and offal. The rogue visionaries with a passion for film so strong that no empty pocket could ever prevent them from sharing their goopy artistry.
Instructions for online canzine vendors
Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Bridget Moser about the uncanny, the unsettling, ‘cursed images’ and a hair covered skeleton of her creation that got under people’s skin.
A lifetime of alienation from my peers and reluctant obsession with death had turned me into some kind of stoic mutant, able to see in the metaphorical dark. It felt good to say that I had been preparing for this my whole life, whether or not it was true.
Beginning with risographed books and fanzines made internally, PEOW would go on to publish a vast assortment of contemporary, international cartoonists, such as Thu Tran, Jane Mai, Linnea Sterte and Ville Kallio.