Over 15,000 Zine Reviews & Growing!
“As I’ve gotten older, I’ve also realized that I’ll never have time to create all the projects that bubble up in me, so they often come alive in my fiction.”
Orwell, Joyce and Austin could barely get jobs, never mind publishing deals. Stephen Marche asks: “Why would it be any different for you?”
Westerns are populated with larger-than-life characters, but children are notoriously difficult to write convincingly. Kelly’s Chatter and his orphan companions are adult minds in small bodies, making grave enigmatic statements while stone-facedly witnessing the world’s cruelty.
Tear creates a superimposition of architectural and mental space characteristic of psychoanalysis, where physical spaces become symbolic of psychological states. A deeply gothic novel somewhere between Henry James and Shirley Jackson.
The result of painstaking research stretching through New Brunswick, Maine, Quebec, and Vermont, this early century chronicle of queer Canadians is a labour of love.
“How can we quantify all that’s been stolen from us? How can we forgive the failures of our governments and our economic system whose callousness, greed, and jingoistic competitiveness made this all so much worse than it could have been?”
We spoke with writer Victoria Hetherington about her dystopian novel Autonomy, chatroom romance and how the future got rigged.
Samantha Garner’s refreshingly original debut novel, The Quiet Is Loud, explores the grey areas between what we say and what we conceal and the stakes of keeping one’s identity hidden.
