Initially penned in 1971, it was not until recently that House Sparrow Press published Derek Jarman’s voyage for the first time. Steeped in notes of Americana, the brief novella is a poetic fairy tale of a fantastical road trip across a trippy landscape.

Honest and reflective, Billy McCall provides anecdotes that are both workaday and philosophical, in a voice that adds to their relatability. The zine calls to mind the capitalist question of our times: how does one continually produce quality content?

A perfect prologue to Kate Beaton's Ducks, everyday oil brings to light each organization involved in oil, every new pipeline, private clubs founded by oil men, the realization of downtown Edmonton's building names and where they originate (spoiler alert: oil).

The perfect blend of the mundane, the nostalgic and the fantastic, Boat Life collects Tsuge Tadao’s stories serialized from 1996-2000 in a wonderful volume. The river might just be the perfect place to escape and find oneself.

Every good ghost story should make you feel like we live in a haunted world. Writer Margaret Killjoy can accomplish this chilling effect without relying on any ghosts.

In an age where gender affirming care is increasingly being restricted, it is a political act to describe your journey through top surgery. Boobless breaks down how difficult recovering from this surgery would have been without the support of partners, friends and family.

Mat Resist's DIY institution, which I first encountered at a Christian alternative music festival held on a former pig farm, hits a milestone. Surviving and thriving in the Anthropocene.

Troll tells the story of what happens when one never returns from those youthful spelunking expeditions, but instead chooses to live down in the cave with all the bats, snakes and guano.

Bones is a joyful, seafoam coloured zine covered in skulls, 70s orange flowers, beautiful brown vines, and white specks of dust.

Amusing as it is honest, Artist achieves what few can in creating a cultural product about artists that doesn’t fall prey to the temptation to navel gaze or air sour grapes.

Nick Thran’s book-fueled memoir revolves around Thran’s move from New York City to Fredericton, New Brunswick — in itself a shocking enough contrast that is layered on top of a change in lifestyle (home-ownership) and career (moving to full-time childcare).

Jon Iñaki's comic outlines their philosophy and tips to avoid detection. You must avoid lures that lead you into traps. You must unmesh yourself from the distortions that have so far distracted you from your path.

From describing full moon rituals to intricate political art projects and daily habits, many kinds of rituals are on display in this anthology. Though this theme should unify the content, it was difficult for me to really get into the writing.

An earnest and unfiltered travelogue of the early 2010s, Travis Egedy parses half-thoughts about isolation, extinction, loss and art among a frenzied scene.

Illustrator Stephen Maurice Graham shows us his transitory, functional space, their gaming gear, and how much his workspace looks like the things he draws.

If you want help making your scrappy little art game full of weird characters and personal opinions and you think nerding out about systems to help enable your dream kind of play sounds like fun, let’s roll.

Dealing with themes of power and class differences, follow mistreated employees, oblivious guests and a debt-ridden director in this wonderfully creepy graphic novel by Erik Svetoft. I haven’t been to a spa for many years. I’m in no hurry to go back.

Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Lonesome Bill Walker, whose woodwork and puppetry explore queerness and its rich strings throughout pop culture.

“A board game is something that can reach people well beyond my existing community, who are already mostly very accepting of this line of work.” Australian artist and former dancer Exotic Cancer talks to us about her strip club roleplaying game.

One of the biggest appeals of zines and their scenes is the low barrier of access. What good is self-publishing if it is too prohibitive for most people to participate?