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On New Years Eve, Silver Sprocket rang things in on a damp note. Their HQ was slammed by historic rain. Here's how the radical publisher spared their stock from the flood.
"People will beg for AI-free content like they do for water that isn’t tainted with lead. And when AI becomes synonymous with ‘Shit,’ it will die like every other Silicon Valley Clown Show and nobody will miss it."
With many of these speculative stories rooted in sci-fi, the line between reality and metaphor nearly disappears, playing with a reader’s inability to clearly differentiate between fact and fiction when it comes to the realities of disability.
Life doesn’t unfold in a neat narrative, neither does Kelly Fruh's brief, deft, illustrated vignettes.
There are brighter days underground. Our latest issue features Cruelty Squad creator and Finnish artist Ville Kallio speaking about the anticipated follow-up to his unlikely hit and giving video games an overdue shock to their system.
Overview “Urban Legends” is a compilation zine about urban legends, local myths, and folklore. Share your writing or art that’s […]
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Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Olivia Mae Sinclair, a textile artist binding books and zines with frayed fabrics, exploring a textured meaning of the text within.
One of the biggest appeals of zines and their scenes is the low barrier of access. What good is self-publishing if it is too prohibitive for most people to participate?
Etsy emerged as an opportunity to capture the feeling of zine and art fairs online, selling a diverse catalogue of pieces from a universe of uncanny creators. But a zine fair and a multimillion dollar enterprise are rarely the same entity.
While tarot may be best known today as a future-telling tool, it is much more than that. Meditation, personal growth and beyond. Follow your ideas to truly make your deck your own. Allow each card to become part of your own personal system of self-discovery.
Horror artist Trevor Henderson gives us a peek at the nightmare factory.
“To me the space is important as an example of creativity, community and solidarity coming together without commercial expectations.”
Filmmaker Vera Drew wanted to reclaim the clown prince of crime with The People’s Joker. Now she has to fight the real supervillains to bring her Joker to the people.
Boots Riley tells us about the absurd and how it functions as a satirical language that can speak far more eloquently when the world is on fire. All that and more in our latest issue!
Here’s all you need to know about the biggest zine fest this side of the world wide web!
Broken Pencil and Online Canzine in association with The Laser Blast Film Society and Gold Ninja Video present a special online double bill on May 5th!
As someone who looked up to female punk music icons and also struggled with her own Catholic faith, I felt like Love and Rockets was attuned to me and my sensibilities.
A twist of bone. A tease of flesh. Cannibals and testicles. We sat down with the Manhunt author about survival and sinew. “It’s an unfortunate way to get publicity, but if they’re giving it to me, I’ll take it. And I’ll use it to do all the things they’re so afraid I’ll do.”
