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Over 15,000 Zine Reviews & Growing!
It is with profound sadness that I announce the closure of Broken Pencil Magazine, an independent publication I co-founded 30 […]
Dear friends, Broken Pencil’s fabulous thirty year run has concluded. But we are going to keep our website and archives […]
With many of these speculative stories rooted in sci-fi, the line between reality and metaphor nearly disappears, playing with a reader’s inability to clearly differentiate between fact and fiction when it comes to the realities of disability.
Life doesn’t unfold in a neat narrative, neither does Kelly Fruh's brief, deft, illustrated vignettes.
"People will beg for AI-free content like they do for water that isn’t tainted with lead. And when AI becomes synonymous with ‘Shit,’ it will die like every other Silicon Valley Clown Show and nobody will miss it."
Overview “Urban Legends” is a compilation zine about urban legends, local myths, and folklore. Share your writing or art that’s […]
View all Calls for SubmissionsHere’s all you need to know about the biggest zine fest this side of the world wide web!
Broken Pencil and Online Canzine in association with The Laser Blast Film Society and Gold Ninja Video present a special online double bill on May 5th!
As someone who looked up to female punk music icons and also struggled with her own Catholic faith, I felt like Love and Rockets was attuned to me and my sensibilities.
A twist of bone. A tease of flesh. Cannibals and testicles. We sat down with the Manhunt author about survival and sinew. “It’s an unfortunate way to get publicity, but if they’re giving it to me, I’ll take it. And I’ll use it to do all the things they’re so afraid I’ll do.”
The fourth floor of the Dahdaleh building has seen it all: lengthy crits, overnighters, lots of laughs and even more test prints. As they gear up to venture off into their post-graduate life, they want to welcome you into this space that they have called home for the past 4 years.
New anthology from Hal Kelly memorializes the obscure, taboo, filthy trash zines that were once abundant throughout the ‘80s and ‘90s.
For every successful foray into Hollywood there’s 100 cash-strapped nightmares making use of ingenuity and offal. The rogue visionaries with a passion for film so strong that no empty pocket could ever prevent them from sharing their goopy artistry.
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Folio asks artists and curators to gather works made with unexpected materials and adapt them for the printed page. In this issue we speak with Bridget Moser about the uncanny, the unsettling, ‘cursed images’ and a hair covered skeleton of her creation that got under people’s skin.
A lifetime of alienation from my peers and reluctant obsession with death had turned me into some kind of stoic mutant, able to see in the metaphorical dark. It felt good to say that I had been preparing for this my whole life, whether or not it was true.
Beginning with risographed books and fanzines made internally, PEOW would go on to publish a vast assortment of contemporary, international cartoonists, such as Thu Tran, Jane Mai, Linnea Sterte and Ville Kallio.
The long, strange trip through grief, horror, shock and sleaze that brought cartoonist Corinne Halbert to her psychosexual, nunsploitation anti-heroine.